Asia Pacific Report
A South Auckland-based cultural studio founded by Fijian artist-curator Vasemaca (FKA Ema) Tavola has hit back at a spate of pro-Israeli propaganda in her homeland with a bold new banner design championing “Fijians for Palestine”.
Tavola’s practice is aligned with the “politics of decolonisation and indigenous feminisms, motherhood, and histories of BIPOC art and activism in the Global South”.
Her Vunilagi Vou studio has posted this message in response to public reactions over Israel opening its first embassy in Oceania in Fiji last week in the face of protests in three cities — Suva, Auckland and Wellington:
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“The inspiration struck and this new mini banner emerged. Born from the hideous task of monitoring the Facebook comment section from people boldly declaring mis-/disinformation, Zionist propaganda and outright hate speech in my own Fijian community, I wanted to perform a creative act that could neutralise the sadness of this moment.
“The French-American artist Louise Bourgeois (1911-2010) famously said, ‘the act of sewing is a process of emotional repair’ and the sentiment has been the lifeblood of this ongoing series of mini banners. They are affirmations and dreaming, spells sewn with stitches, commitment captured in layers, trims, fringe and ric-rac — love letters to the future.
“Inspired and dedicated to Fijians for Palestine Solidarity Network and the Fiji Women’s Crisis Centre protests that have been happening in Suva to boldly and publicly declare that people in Fiji stand with Palestine, and the acts of some and the sycophancy of our government does not represent all of Fiji and all Fijians, as hard as that is to process for some Facebook users.
“The words on this mini banner are a truth that cannot be denied in a post truth era; Fijians are not a monolith and while many are spouting mind-boggling disinformation and vitriol against Palestinians and our fellow non-Indigenous Fiji people, there are many, many Fijians who stand for and with Palestine and reject the re-authoring of factual history and the monetisation of rage on platforms like Facebook.
“The social practice of this space has become a complete perversion of humanity.
The banner: Kaiviti Solidarity (2026) Cotton dobby, cotton towelling, rayon, bullion fringe trim, ric-rac and cowrie shells on 10oz canvas, 600x450mm
Fijian and Palestine flags — challenging hypocrisy
Vunilagi Vou also “reimagined” a publicity photo circulated of a photo of the Fijian and Israeli flags side by side with another image showing off the Palestinian flag.
“If the current Fiji government can make such a divisive and disturbing symbolic image using AI to announce the opening of an Israeli embassy in Suva, I’ll keep the prompts flowing and re-imagine this image.
“Fiji is a gloriously diverse, complex and resilient nation of people who are the living embodiment of a globally connected mix of cultures, histories and influences. We are not a monolith, and the current Fiji government’s relationship to Israel, engaged in the ongoing, intentional and systematic destruction of Palestinian people, is an embarrassment.
“We represent a range of views as Fiji people; many use the Christian Bible and its ideologies as a moral and ethical compass, and others who can see the hypocrisy of largely Indigenous people siding with the perpetrators of a genocide against Indigenous people.
“Trying to understand the geopolitical, historical, social, spiritual nature of South West Asia and North Africa, and our relationship with imperialism and the tools of colonisation, oil and capitalism, globalisation and climate collapse all feels like unravelling the world we know.
“So, Palestine, and our courage to learn and unlearn, critique why we know what we know, feels like a profound symbol and beacon for imagining a future that survives this current hellscape.
“A free Palestine is inextricable from a free West Papua. Systemic violence, colonial extraction, Indigenous erasure and murderous genocide, should never ever be normalised.”
