From being the headline to creating them, Moana Maniapoto has walked a rather rocky road of swinging between both sides of the media.

Known for her award-winning current affairs show Te Ao with Moana on Whakaata Māori, and the 1990s cover of Black Pearl, the lawyer-by-trade doesn’t keep her advocacy a secret.

Her first introduction to news was at the tail end of the 1980s when she was relaxed in the guest seat at Aotearoa Radio — Auckland’s first Māori radio station — but her kōrero hit a nerve.

• READ MORE: Other Te Reo Māori media reports

“I said something the host considered radical,” she said.

“He quickly distanced the station from my remarks and that got the phones ringing.”

It became a race for listeners to punch numbers into the telephone, the first person to get through was New Zealand filmmaker, producer and writer Merata Mita, who ripped into the host.

“How dare you talk down to her like that,” Maniapoto recalled. The very next day she answered the call to host that show from then on.

No training, no worries
Aotearoa Radio was her first real job working four hours per day, spinning yarns five days a week — no training, no worries.

“Oh, they tried to get us to speak a bit flasher, but no one could be bothered. It was such a lot of fun, a great bunch of people working there. It was also nerve-wracking interviewing people like Erima Henare (NZ politician Peeni Henare’s father), but the one I still chuckle about the most was Winston Peters.”

She remembers challenging Peters over a comment he made about Māori in the media: “You’re going to have to apologise to your listeners, Moana. I never said that,” Peters pointed out.

They bickered in true journalist versus politician fashion — neither refused to budge, until Maniapoto revealed she had a word-for-word copy of his speech.

All Peters could do was watch Maniapoto attempt to hold in her laughter. A prompt ad break was only appropriate.

But the Winston-win wasn’t enough to stay in the gig.

“After two years, I was over it. It was tiring. Someone rang up live on air and threatened to kill me. It was a good excuse to resign.”

Although it wasn’t the end of the candlewick for Maniapoto, it took 30 years to string up an interview with Peters again.

Short-lived telly stints
In-between times she had short-lived telly stints including a year playing Dr Te Aniwa Ryan on Shortland Street, but it wasn’t for her. The singer-songwriter has also created documentaries with her partner Toby Mills, their daughter Manawanui Maniapoto-Mills a gunning young actress.

Maniapoto has featured on the cover of magazines, one in particular she remembers was Mana magazine in 1993.

“Sally Tagg photographed me in the shallow end of a Parnell Baths pool, wrapped in metres of blue curtain net, trying to act like it was completely normal,” she said.

Just 10 years ago she joined Mana Trust which runs the online Sunday mag E-Tangata, mentored by Gary Wilson (co-founder and co-editor) and print journalist Tapu Misa who taught her how to transfer her voice through computer keys.

“Whakaata Māori approached me in 2019, I was flattered, but music was my life and I felt wholly unequipped for journalism. Then again, I always love a challenge.”

Since jumping on board, Te Ao with Moana has completed six seasons and will “keep calm and carry on” for a seventh season come 17 February, 2025 — her son Kimiora Hikurangi Jackson the producer and “boss”.

It will be the last current affairs show to air on Whakaata Māori before moving the TV channel to web next year.

Advocating social justice
Her road of journalism and music is winding. Her music is the vehicle to advocating social justice which often landed her in the news rather than telling it.

“To me songwriting, documentaries, and current affairs are all about finding ways to convey a story or explore an issue or share insights. I think a strength I have are the relationships I’ve built through music — countless networks both here and overseas. Perfect for when we are wanting to deep dive into issues.”

Her inspiration for music grew from her dad, Nepia Tauri Maniapoto and his brothers. Maniapoto said it was “their thing” to entertain guests from the moment they walked into the dining room at Waitetoko Marae until kai was finished.

“It was Prince Tui Teka and the Platters. Great vocal harmonies. My father always had a uke, gat, and sax in the house,” she said.

Born in Invercargill and raised in Rotorua by her māmā Bernadette and pāpā Nepia, she was surrounded by her five siblings who some had a keen interest in kapa haka, although, the kapa-life was “too tough” for Maniapoto. Instead, nieces Puna Whakaata, Mourei, and Tiaria inheriting the “kapa” gene. Maniapoto said they’re exceptional and highly-competitive performers.

Blending her Ngāti Pikiao, Ngāti Tūwharetoa, and Tūhourangi whakapapa into song was no struggle.

The 1990s was filled with soul, R’n’B, and reggae, she said, singing in te reo was met with indifference if not hostility.

‘Labelled a radical’
“If you mixed in lyrics that were political in nature, you were labelled a ‘radical.’ I wasn’t the only one, but probably the ‘radical’ with the highest profile at the time.”

After her “rare” single Kua Makona in 1987, Moana & the Moahunters formed in the early 1990s, followed by Moana and the Tribe which is still going strong. Her sister Trina has a lovely singing voice and has been in Moana & The Tribe since it was formed, she said.

And just like her sixth television season, Maniapoto has just churned out her sixth album, Ono.

“I’m incredibly proud of it. So grateful to Paddy Free and Scotty Morrison for their skills. Looks pretty too on vinyl and CD, as well as digital. A cool Xmas present. Just saying.”

The microphone doesn’t seem to be losing power anytime soon. All albums adequately named one-to-six in te reo Māori, one can only punt on the next album name.

“It’s kinda weird now morphing back into the interviewee to promote my album release. I’m used to asking all the questions.”

This article is republished under a community partnership agreement with RNZ.

This week, Minister of Racing Winston Peters announced the end of greyhound racing in the interests of animal welfare.

Soon after, a law to criminalise killing of redundant racing dogs was passed under urgency in Parliament.

The next day, the minister introduced the Racing Industry Amendment Bill to preserve the TAB’s lucrative monopoly on sports betting which provides 90 percent of the racing industry’s revenue.

• READ MORE: Other digital platform pressure reports

“Offshore operators are consolidating a significant market share of New Zealand betting — and the revenue which New Zealand’s racing industry relies on is certainly not guaranteed,” Peters told Parliament in support of the Bill.

But offshore tech companies have also been pulling the revenue rug out from under local news media companies for years, and there has been no such speedy response to that.

Digital platforms offer cheap and easy access to unlimited overseas content — and tech companies’ dominance of the digital advertising systems and the resulting revenue is intensifying.

Profits from online ads shown to New Zealanders go offshore — and very little tax is paid on the money made here by the likes of Google and Facebook.

On Tuesday, Media Minister Paul Goldsmith did introduce legislation to repeal advertising restrictions for broadcasters on Sundays and public holidays.

“As the government we must ensure regulatory settings are enabling the best chance of success,” he said in a statement.

The media have been crying out for this low-hanging fruit for years — but the estimated $6 million boost is a drop in the bucket for broadcasters, and little help for other media.

The big bucks are in tech platforms paying for the local news they carry.

Squeezing the tech titans
In Australia, the government did it three years ago with a bargaining code that is funnelling significant sums to news media there. It also signalled the willingness of successive governments to confront the market dominance of ‘big tech’.

When Goldsmith took over here in May he said the media industry’s problems were both urgent and acute – likewise the need to “level the playing field”.

The government then picked up the former government’s Fair Digital News Bargaining Bill, modelled on Australia’s move.

But it languishes low down on Parliament’s order paper, following threats from Google to cut news out of its platforms in New Zealand – or even cut and run from New Zealand altogether.

Six years after his Labour predecessor Kris Faafoi first pledged to follow in Australia’s footsteps in support of local media, Goldsmith said this week he now wants to wait and see how Australia’s latest tough measures pan out.

(The News Bargaining Incentive announced on Thursday could allow the Australian government to tax big digital platforms if they do not pay local news publishers there)

Meanwhile, news media cuts and closures here roll on.

The lid keeps sinking in 2024

“I’ve worked in the industry for 30 years and never seen a year like it,” RNZ’s Guyon Espiner wrote in The Listener this week, admitting to “a sense of survivor’s guilt”.

Just this month, 14 NZME local papers will close and more TVNZ news employees will be told they will lose jobs in what Espiner described as “destroy the village to save the village” strategy.

Whakaata Māori announced 27 job losses earlier this month and the end of Te Ao Māori News every weekday on TV. Its te reo channel will go online-only.

Digital start-ups with lower overheads than established news publishers and broadcasters are now struggling too.

“The Spinoff had just celebrated its 10th birthday when a fiscal hole opened up. Staff numbers are being culled, projects put on ice and a mayday was sent out calling for donations to keep the site afloat,” Espiner also wrote in his bleak survey for The Listener.

Spinoff founder Duncan Grieve has charted the economic erosion of the media all year at The Spinoff and on its weekly podcast The Fold.

In a recent edition, he said he could not carry on “pretending things would be fine” and did not want The Spinoff to go down without giving people the chance to save it.

“We get some (revenue) direct from our audience through members, some commercial revenue and we get funding for various New Zealand on Air projects typically,” Greive told RNZ Mediawatch this week.

“The members’ bucket is pretty solid. The commercial bucket was going quite well, and then we just ran into a brick wall. There has been a real system-wide shock to commercial revenues.

“But the thing that we didn’t predict which caused us to have to publish that open letter was New Zealand on Air. We’ve been able to rely on getting one or two projects up, but we’ve missed out two rounds in a row. Maybe our projects . . .  weren’t good enough, but it certainly had this immediate, near-existential challenge for us.”

Critics complained The Spinoff has had millions of dollars in public money in its first decade.

“While the state is under no obligation to fund our work, it’s hard to watch as other platforms continue to be heavily backed while your own funding stops dead,” Greive said in the open letter.

The open letter said Creative NZ funding had been halved this year, and the Public Interest Journalism Fund support for two of The Spinoff’s team of 31 was due to run out next year.

“I absolutely take on the chin the idea that we shouldn’t be reliant on that funding. Once you experience something year after year, you do build your business around that . . .  for the coming year. When a hard-to-predict event like that comes along, you are in a situation where you have to scramble,” Grieve told Mediawatch.

“We shot a flare up that our audience has responded to. We’re not out of the woods yet, but we’re really pleased with the strength of support and an influx of members.”

Newshub shutdown
A recent addition to The Spinoff’s board — Glen Kyne — has already felt the force of the media’s economic headwinds in 2024.

He was the CEO of Warner Brothers Discovery NZ and oversaw the biggest and most comprehensive news closure of the year — the culling of the entire Newshub operation.

“It was heart-wrenching because we had looked at and tried everything leading into that announcement. I go back to July 2022, when we started to see money coming out of the market and the cost of living crisis starting to appear,” Kyne told Mediawatch this week.

“We started taking steps immediately and were incredibly prudent with cost management. We would get to a point where we felt reasonably confident that we had a path, but the floor beneath our feet — in terms of the commercial market — kept falling. You’re seeing this with TVNZ right now.”

Warner Brothers Discovery is a multinational player in broadcast media. Did they respond to requests for help?

“They were empathetic. But Warner Brothers Discovery had lost 60-70 percent of its share price because of the issues around global media companies as well. They were very determined that we got the company to a position of profitability as quickly as we possibly could. But ultimately the economics were such that we had to make the decision.”

Smaller but sustainable in 2025? Or managed decline?

Kyne did a deal with Stuff to supply a 6pm news bulletin to TV channel Three after the demise of Newshub in July.

He is one of a handful of people who know the sums, but Stuff is certainly producing ThreeNews now with a fraction of the former budget for Newshub.

Can media outlets settle on a shape that will be sustainable, but smaller — and carry on in 2025 and beyond? Or does Kyne fear media are merely managing decline if revenue continues to slump?

“It’s slightly terrifying because the downward pressures are going to continue into next year. Three created a sustainable model for the 6pm bulletin to continue.

“Stuff is an enormous newsgathering organisation, so they were able to make it work and good luck to them. I can see that bulletin continuing to improve as the team get more experience.”

No news is really bad news
If news can’t be sustained at scale in commercial media companies even on reduced budgets, what then?

Some are already pondering a “post-journalism” future in which social media takes over as the memes of sharing news and information.

How would that pan out?

“We might be about to find out,” Greive told Mediawatch.

“Journalism doesn’t have a monopoly on information, and there are all kinds of different institutions that now have channels. A lot of what is created . . .  has a factual basis. Whether it’s a TikTok-er or a YouTuber, they are themselves consumers of news.

“A lot of people are replacing a habit of reading the newspaper and listening to ZB or RNZ with a new habit — consuming social media. Some of it has a news-like quality but it doesn’t have vetting of the information and membership of the Media Council . . .  as a way of restraining behaviour.

“We’ve got a big question facing us as a society. Either news becomes this esoteric, elite habit that is either pay-walled or alternatively there’s public media. If we [lose] freely-accessible, mass-audience channels, then we’ll find out what democracy, the business sector, the cultural sector looks like without that.

“In communities where there isn’t a single journalist, a story can break or someone can put something out . . .  and if there’s no restraint on that and no check on it, things are going to happen.

“In other countries, most notably Australia, they’ve recognised this looming problem, and there’s a quite muscular and joined-up regulator and legislator to wrestle with the challenges that represents. And we’re just not seeing that here.”

They are in Australia.

In addition to the News Bargaining Code and the just-signalled News Bargaining Incentive, the Albanese government is banning social media for under-16s. Meta has responded to pressure to combat financial scam advertising on Facebook.

Here, the media policy paralysis makes the government’s ferries plan look decisive. What should it do in 2025?

To-do in 2025
“There are fairly obvious things that could be done that are being done in other jurisdictions, even if it’s as simple as having a system of fines and giving the Commerce Commission the power to sort of scrutinise large technology platforms,” Greive told Mediawatch.

“You’ve got this general sense of malaise over the country and a government that’s looking for a narrative. It’s shocking when you see Australia, where it’s arguably the biggest political story — but here we’re just doing nothing.”

Not quite. There was the holiday ad reform legislation this week.

“Allowing broadcasting Christmas Day and Easter is a drop in the ocean that’s not going to materially change the outcome for any company here,” Kyne told Mediawatch.

“The Fair Digital News Bargaining bill was conceived three years ago and the world has changed immeasurably.

“You’ve seen Australia also put some really thoughtful white papers together on media regulation that really does bring a level of equality between the global platforms and the local media and to have them regulated under common legislation — a bit like an Ofcom operates in the UK, where both publishers and platforms, together are overseen and managed accordingly.

“That’s the type of thing we’re desperate for in New Zealand. If we don’t get reform over the next couple of years you are going to see more community newspapers or radio stations or other things no longer able to operate.”

Grieve was one of the media execs who pushed for Commerce Commission approval for media to bargain collectively with Google and Meta for news payments.

Backing the Bill – or starting again?
Local media executives, including Grieve, recently met behind closed doors to re-assess their strategy.

“Some major industry participants are still quite gung-ho with the legislation and think that Google is bluffing when it says that it will turn news off and break its agreements. And then you’ve got another group that think that they’re not bluffing, and that events have since overtaken [the legislation],” he said.

“The technology platforms have products that are always in motion. What they’re essentially saying — particularly to smaller countries like New Zealand — is: ‘You don’t really get to make laws. We decide what can and can’t be done’.

“And that’s quite a confronting thing for legislators. It takes quite a backbone and quite a lot of confidence to sort of stand up to that kind of pressure.”

The government just appointed a minister of rail to take charge of the current Cook Strait ferry crisis. Do we need a minister of social media or tech to take charge of policy on this part of the country’s infrastructure?

“We’ve had successive governments that want to be open to technology, and high growth businesses starting here.

“But so much of the internet is controlled by a small handful of platforms that can have an anti-competitive relationship with innovation in any kind of business that seeks to build on land that they consider theirs,” Greive said.

“A lot of what’s happened in Australia has come because the ACCC, their version of the Commerce Commission, has got a a unit which scrutinises digital platforms in much the same way that we do with telecommunications, the energy market and so on.

“Here there is just no one really paying attention. And as a result, we’re getting radically different products than they do in Australia.”

This article is republished under a community partnership agreement with RNZ.

Journalist Maiki Sherman (Ngāpuhi/Whakatōhea) has been appointed Television New Zealand’s political editor, the first wahine Māori to lead the 1News political team in the channel’s history, reports Whakaata Māori’s Te Ao Māori News.

“This is a huge milestone for me and one I’ve worked hard for. I’m proud to be the first wahine Māori appointed as the political editor of a mainstream broadcast newsroom,” she said.

“That is something to be celebrated.”

• READ MORE:  Maiki Sherman: Holding the powerful to account
• Other Te Ao Māori news reports

The New Zealand Herald’s Katie Harris reports that Sherman said her background meant she would be able to bring a unique perspective to the role, alongside an unwavering commitment to holding political decision-makers to account.

“People want strong, fair, and impartial journalism. That’s something I’m committed to providing across the political divide,” Sherman said.

TVNZ executive editor Phil O’Sullivan said Sherman had been impressive in her role as deputy political editor for TVNZ during a turbulent time in New Zealand politics impacted on by the covid pandemic, events of national significance and highly charged general elections.

‘Calm leadership’
“Her calm leadership and strong coverage of important political issues, particularly demonstrated during her moderation of our Kaupapa Māori Debate last year, made her a natural pick for the role.”

Sherman takes over from Jessica Mutch McKay, who concluded her tenure earlier this year.

Mutch McKay resigned to become head of government relations and corporate responsibility at ANZ Bank.

1News said in a statement that Sherman first joined the press gallery in 2012, serving as a political reporter for both Whakaata Māori and Newshub before rejoining 1News.

Sherman began her broadcasting career with the state broadcaster’s Te Karere show 16 years ago.

She has also served as chair of New Zealand’s parliamentary press gallery for the past three years.

Pacific Media Watch with Te Ao Maori News and The New Zealand Herald.

The future of Aotearoa New Zealand television news and current affairs is in the balance at the two biggest TV broadcasters — both desperate to cut costs as their revenue falls.

The government says it is now preparing policy to modernise the media, but they do not want to talk about what that might be — or when it might happen.

On Monday, TVNZ’s 1News was reporting — again — on the crisis of cuts to news and current affairs in its own newsroom.

• READ MORE: Other TVNZ and Newshub reports

The extent of discontent about the proposed cuts had been made clear to chief executive Jodi O’Donnell at an all-staff meeting that day.

The news of cuts rocked the state-owned broadcaster when they were announced four days earlier.

In fact, it rocked the entire media industry because only one week earlier the US-based owners of Newshub had announced a plan to close that completely by mid year.

No-one was completely shocked by either development given the financial strife the local industry is known to be in.

But it seems no-one had foreseen that within weeks only Television New Zealand and Whakaata Māori would be offering national news to hundreds of thousands of New Zealanders who still tune in at 6pm or later on demand.

Likewise the prospect of no TV current affairs shows (save for those on Whakaata Māori) and no consumer affairs watchdog programme Fair Go, three years shy of a half century as one of NZ most popular local TV shows of all time.

Yvonne Tahana’s report for 1News on Monday pointed out Fair Go staff were actually working on the next episode when that staff meeting was held on Monday.

All this raised the question — what is a “fair go” according to the government, given TVNZ is state-owned?

Media-shy media minister?
After the shock announcements last week and the week before, Minister of Media and Communications Melissa Lee seemed not keen to talk to the media about it.

The minister did give some brief comments to political reporters confronting her in the corridors in Parliament after the Newshub news broke. But a week went by before she spoke to RNZ’s Checkpoint about it — and revealed that in spite of a 24-hour heads-up from Newhub’s offshore owner — Warner Bros Discovery — Lee did not know they were planning to shut the whole thing.

By the time the media minister was on NewstalkZB’s Drive show just one hour later that same day, the news was out that TVNZ news staff had been told to “watch their inboxes” the next morning.

In spite of the ‘no surprises’ convention, the minister said she was out of the loop on that too.

After that, it was TV and radio silence again from the minister in the days that followed.

“National didn’t have a broadcasting policy. We’re still not sure what they’re looking at. She needs to basically scrub up on what she’s going to be saying on any given day and get her head around her own portfolio, because at the moment she’s not looking that great,” The New Zealand Herald’s political editor Claire Trevett told RNZ’s Morning Report at the end of the week.

By then the minister’s office had told Mediawatch she would speak with us on Thursday. Good news — at the time.

Lee has long been the National Party’s spokesperson on media and broadcasting and Mediawatch has been asking for a chat since last December.

Last Sunday, TVNZ’s Q+A show told viewers Lee had declined to be interviewed for three weeks running.

Frustration on social media
At Newshub — where staff have the threat of closure hanging over them — The AM Show host Lloyd Burr took to social media with his frustration.

“There’s a broadcasting industry crisis and the broadcasting minister is MIA. We’ve tried for 10 days to get her on the show to talk about the state of it, and she’s either refused or not responded. She doesn’t even have a press secretary. What a shambles . . . ”

A switch of acting press secretaries mid-crisis did seem to be a part of the problem.

But one was in place by last Monday, who got in touch in the morning to arrange Mediawatch’s interview later in the week.

But by 6pm that day, they had changed their minds, because “the minister will soon be taking a paper to cabinet on her plan for the media portfolio”.

“We feel it would better serve your listeners if the minister came on at a time when she could discuss in depth about the details of her plan for the future of media, as opposed to the limited information she will be able to provide this Thursday,” the statement said.

“When the cabinet process has been completed, the minister is able to say more. That time is not now.”

The minister’s office also pointed out Lee had done TV and broadcast interviews over the past week in which she had “essentially traversed as much ground as possible right now”.

What clues can we glean from those?

Hints of policy plans
Even though this government is breaking records for changes made under urgency, it seems nothing will happen in a hurry for the media.

“I have been working with my officials to understand and bring the concerns from the sector forward, to have a discussion with my officials to work with me to understand what the levers are that the government can pull to help the sector,” Lee told TVNZ Breakfast last Monday.

A slump in commercial revenue is a big part of broadcasters’ problems. TVNZ’s Anna Burns Francis asked the minister if the government might make TVNZ — or some of its channels — commercial-free.

“I think we are working through many options as to what could potentially help the sector rather than specifically TVNZ,” Lee replied.

One detail Lee did reveal was that the Broadcasting Act 1989 was in play — something the previous government also said was on its to do list but did not get around to between 2017 and 2023.

It is a pretty broad piece of legislation which sets out the broadcasting standards regime and complaints processes, electoral broadcasting and the remit of the government broadcasting funding agency NZ On Air.

But it is not obvious what reform of that Act could really do for news media sustainability.

Longstanding prohibitions
The minister also referred to longstanding prohibitions on TV advertising on Sunday mornings and two public holidays. Commercial broadcasters have long called for these to be dumped.

But a few more slots for whiteware and road safety ads is not going to save news and current affairs, especially in this economy.

That issue also came up in a 22-minute-long chat with The Platform, which the minister did have time for on Wednesday.

In it, host Sean Plunket urged the minister not to do much to ease the financial pain of the mainstream media, which he said were acting out of self-interest.

He was alarmed when Lee told him the playing field needed to be leveled by extending regulation applied to TV and radio to online streamers as well — possibly through Labour’s Fair Digital News Bargaining Bill.

“Are you seriously considering the government imposing tax on certain large companies and paying that money directly to your chosen media companies that are asking for it?” Plunket asked.

“I have actually said that I oppose the bill but what you have to do as the minister is listen to the sector. They might have some good ideas.”

When Plunket suggested Lee should let the market forces play out, Lee said that was not desirable.

Some of The Platform’s listeners were not keen on that, getting in touch to say they feared Lee would bail the media out because she had “gone woke”.

That made the minister laugh out loud.

“I’m so far from woke,” she assured Sean Plunket.

A free-to-air and free-to-all future?
At the moment, TVNZ is obliged to provide easily accessible services for free to New Zealanders.

TVNZ’s Breakfast show asked if that could change to allow TVNZ to charge for its most popular or premium stuff?

The response was confusing:

“Well ready accessibility would actually mean that it is free, right? Or it could be behind a paywall — but it could still be available because they have connectivity,” Lee replied.

“A paywall would imply that you have to pay for it — so that wouldn’t be accessible to all New Zealanders, would it?” TVNZ’s Anna Burns-Francis asked.

“For a majority, yes — but free to air is something I support.”

When Lee fronted up on The AM Show for 10 minutes she said she was unaware they had been chasing a chat with her for 10 days.

Host Melissa Chan-Green bridled when the minister referred to the long-term decline of linear real time TV broadcast as a reason for the cuts now being proposed.

“To think that Newshub is a linear TV business is to misunderstand what Newshub is, because we have a website, we have an app, we have streaming services, we’ve done radio, we’ve done podcasts — so how much more multimedia do you think businesses need to be to survive?

“I’m not just talking about that but there are elements of the Broadcasting Act which are not a fair playing field for everyone. For example, there are advertising restrictions on broadcasters where there are none on streamers,” she said.

Where will the public’s money go?
On both Breakfast and The AM Show, Lee repeated the point that the effectiveness of hundreds of millions of dollars of public money for broadcasting is at stake — and at risk if the broadcasters that carry the content are cut back to just a commercial core.

“The government actually puts in close to I think $300 million a year,” Lee said.

“Should that funding be extended to include the client of current affairs programs are getting cut?” TVNZ’s Anna Burns-Francis asked her.

“I have my own views as to what could be done but even NZ on Air operates at arm’s length from me as Minister of Media and Communications,” she replied.

It is only in recent years that NZ On Air has been in the business of allocating public money to news and journalism on a contestable basis.

When the system was set up in 35 years ago that was out of bounds for the organisation, because broadcasters becoming dependent on the public purse was thought to be something to avoid — because of the potential for political interference through either editorial meddling or turning off the tap.

That began to break down when TV broadcasters stopped funding programs about politics which did not pull a commercial crowd — and NZ started picking up the tab from a fund for so-called special interest shows which would not be made or screened in a wholly-commercial environment.

Online projects with a public interest purpose have also been funded by in recent years in addition to programmes for established broadcasters — as NZ on Air declared itself “platform agnostic”.

Public Interest Journalism Fund
In 2020, NZ on Air was given the job of handing out $55 million over three years right across the media from the Public Interest Journalism Fund.

That was done at arm’s length from government, but in opposition National aggressively opposed the fund set up by the previous Labour government.

Senior MPs — including Lee — claimed the money might make the media compliant — and even silent — on anything that might make the then-Labour government look bad.

It would be a big surprise if Lee’s policy plan for cabinet includes direct funding for the news and current affairs programmes which could vanish from our TV screens and on-demand apps within weeks.

This week, NZ on Air chief executive Cameron Harland responded to the crisis with a statement.

“We are in active discussions with the broadcasters and the wider sector to understand what the implications of their cost cutting might be.

“This is a complex and developing situation and whilst we acknowledge the uncertainty, we will be doing what we can to ensure our funding is utilised in the best possible ways to serve local audiences.“

They too are in a holding pattern waiting for the government to reveal its plans.

But as the minister herself said this week, the annual public funding for media was substantial — and getting bigger all the time as the revenues of commercial media companies shrivelled.

And whatever levers the minister and her officials are thinking of pulling, they need to do decisively — and soon.

This article is republished under a community partnership agreement with RNZ.