I saw a clip going around from the Netflix series “1899” where a woman discovers a crack in the screen of what she had taken to be her world, causing her entire understanding of reality to crumble before her eyes.

Someone had captioned the clip, “Every awakening begins with a fracture in the lie.”

Yeah. It does tend to happen like that.

• LISTEN: A reading by Tim Foley

You start pulling on one thread and then the whole thing unravels. Maybe you start with the Iraq war lies. Maybe 9/11. These days for a lot of folks it’s Palestine.

https://youtube.com/shorts/NcCwpbaCW24

You keep pulling on that thread, uncovering more and more uncomfortable truths, until eventually you discover that pretty much everything you’ve been taught about your world was a lie.

Every war. Everything about how your government really operates. Everything you’ve been told about nations and how they work. Everything about capitalism and communism and how your society is structured. It was all lies, fed to you by parents, teachers, preachers, pundits, politicians and news men from the moment you were old enough to process complex thought.

It can feel scary. It can feel like the end of your world, because in a sense that’s exactly what it is. Your sincere pursuit of the truth leads to the unraveling of everything you thought you knew, and you find yourself plunging into a great abyss of uncertainty about what’s real.

And a lot of people do get lost at this juncture. They plunge down too many rabbit holes with too much paranoia and not enough critical thinking, and they wind up replacing all their old indoctrinated belief systems with new beliefs that are just as crazy and power-serving as the first ones. There’s often a gap between letting go of your old worldview and assembling a new one where it’s easy to get confused and misled.

But if you remain sincere, careful, relentlessly self-honest and dedicated to the truth while ensuring your critical thinking faculties remain operating at full power, you eventually emerge from this chrysalis phase with the wings of a truth-based worldview. You can now not only see through the old lies, but can understand what’s really going on in the world.

And what’s really going on in the world is a lot less pleasant than the fictions you were fed as a schoolchild. You can see that we are ruled by a transnational alliance of plutocrats and government agencies who manipulate world affairs to maximise their power and profits at the expense of ordinary working people around the globe, and you can see that those same powerful abusers are responsible for constructing the fictional power-serving worldview you just freed yourself from.

And when you see how unpleasant the truth is and how hard you had to work to realise it, you understand why relatively few people have awakened to it. From the perspective of the ego, it’s a whole lot of effort and discomfort without much in the way of payoff. Forming a truth-based worldview is something you do for its own sake, and if you’re not the sort of person who views truth as its own reward, then you’re not the sort of person who’s likely to pursue it.

But more and more people are choosing truth. More and more people are spotting a loose thread labeled “Gaza” or “Epstein” or what have you, and giving it a curious tug. Despite the discomfort, despite the required effort, and despite the great cost of having to sacrifice the world they thought they knew, they’re pulling that thread, and they keep on pulling. We’re seeing it more and more every year.

And that gives me hope. I don’t know where this is headed or whether we win in the end, but I’m seeing enough movement in human consciousness at mass scale to continue holding out hope for a better world.

Caitlin Johnstone is an Australian independent journalist and poet. Her articles include The UN Torture Report On Assange Is An Indictment Of Our Entire Society. She publishes a website and Caitlin’s Newsletter. This article is republished with permission.

SPECIAL REPORT: By Michael West

Rupert Murdoch’s News Corporation has misled the Australian Parliament. In a submission to the Senate, the company claimed, “Foxtel also pays millions of dollars in income tax, GST and payroll tax, unlike many of our large international digital competitors”.

However, an MWM investigation into the financial affairs of Foxtel has shown Foxtel was paying zero income tax when it told the Senate it was paying “millions”. The penalty for lying to the Senate is potential imprisonment, although “contempt of Parliament” laws are never enforced.

The investigation found that NXE, the entity that controls Foxtel, paid no income tax in any of the five years from 2019 to 2023. During this time it generated $14 billion of total income.

• READ MORE: Other digital tech corporation reports

The total tax payable across this period is $0. The average total income is $2.8 billion per year.

Why did News Corporation mislead the Parliament? The plausible answers are in its Foxtel Submission to the Senate Environment and Communications Legislation Committee Inquiry into The Broadcasting Legislation Amendment.

In May 2021 — which is also where the transgression occurred — the media executives for the American tycoon were lobbying a Parliamentary committee to change the laws in their favour.

By this time, Netflix had leap-frogged Foxtel Pay TV subscriptions in Australia and Foxtel was complaining it had to spend too much money on producing local Australian content under the laws of the time. Also that Netflix paid almost no tax.

Big-league tax dodger
They were correct in this. Netflix, which is a big-league tax dodger itself, was by then making bucketloads of money in Australia but with zero local content requirements.

Making television drama and so forth is expensive. It is far cheaper to pipe foreign content through your channels online. As Netflix does.

The misleading of Parliament by corporations is rife, and contempt laws need to be enforced, as demonstrated routinely by the PwC inquiry last year. Corporations and their representatives routinely lie in their pursuit of corporate objectives.

If democracy is to function better, the information provided to Parliament needs to be clarified, beyond doubt, as reliable. Former senator Rex Patrick has made the point in these pages.

Even in this short statement to the committee of inquiry (published above), there are other misleading statements. Like many companies defending their failure to pay adequate income tax, Foxtel claims that it “paid millions” in GST and payroll tax.

Companies don’t “pay” GST or payroll tax. They collect these taxes on behalf of governments.

Little regard for laws
Further to the contempt of Parliament, so little regard for the laws of Australia is shown by corporations that the local American boss of a small gas fracking company, Tamboran Resources, controlled by a US oil billionaire, didn’t even bother turning up to give evidence when asked.

This despite being rewarded with millions in public grant money.

Politicians need to muscle up, as Greens Senator Nick McKim did when grilling former Woolies boss Brad Banducci for prevaricating over providing evidence to the supermarket inquiry.

New Zealand children use a lot less Kiwi media than they used to. New research shows its Netflix, YouTube and TikTok engaging their eyeballs big time these days. If our kids screen out our local media, what does the future hold for them?

The news media seized on one startling stat in New Zealand on Air’s latest survey of how children use the media here.

Nearly 90 percent of the 1100 children aged between 10 and 14 surveyed had seen content that had upset them in the past year – such as animal torture and sexual material.

LISTEN: Kiwi kids screening out local TV media – Mediawatch

There is increasing concern they are seeing a lot more potentially upsetting content at an earlier age these days, thanks to the internet. But when it comes to the media kids choose to use, other survey findings were upsetting for homegrown media.

The five most popular networks kids could name were YouTube, Netflix, Disney Plus, Cartoon Network and Nickelodeon – none of them local.

The survey found websites and apps were more popular than television. Children are watching much more video on overseas platforms such as YouTube and Netflix than the kids who were surveyed the same way six years ago.

TikTok did not exist in New Zealand back then – now its the most popular social media platform for kids (Tiktok is a video sharing mobile app created in China eight years ago, only launched outside China in 2017 on major mobile phone platforms and in the US in August 2018).

Real bad news
But the real bad news for New Zealand broadcasters is that it is only one of several global online platforms more popular than old fashioned TV with kids here today.

YouTube (51 percent) and Netflix (47 percent) have the highest daily reach and children spend the longest time watching content there. Of local options, TVNZ 1, with 16 percent daily reach and TVNZ 2 at 15 percent, have the highest reach – but two thirds of the children surveyed couldn’t name a favourite locally-made show.

That is also a dilemma for NZ On Air which spends more than $15 million of public money a year on locally-made programmes and content for New Zealand children.

Back in 2016 it launched a review of its spending when TV1, TV2 and TV3 began backing away from screening children’s shows – even when the taxpayer was picking up the tab for making them.

TV3 – as it was then – shunted its local kids shows onto a slot on its sister channel Four – and they disappeared altogether when MediaWorks canned that channel for the reality TV showcase Bravo.

These days it screens Keeping up with the Kardashians and Dance Mums UK in the after school slots.

The only free-to-air TV channel showing kids shows after school anymore is Māori TV. On Wednesdays for example, it airs youth shows Grid and Swagger, followed by its long running show in te reo: Pūkana.

‘None of us are shocked’
“None of us are shocked by what’s in this research,“ said Nicole Hoey, chief executive of Cinco Cine Film Productions. maker of Pūkana and many other local programmes.

“In terms of the research it’s already old once it’s published in terms of the world we now work and live in. The last time this research was done was six years ago. It’s great research but it’s too far apart,“ she said.

Two years ago, NZ On Air launched an online children’s programme platform  – HeiHei – now hosted by TVNZ on Demand, in the hope it would attract young digital natives to the local programmes alongside the international ones

But only 49 percent of children aged 6-14 are aware of HeiHei and only 17 percent said they had used it.

Janette Howe is chair of the NZ Children’s Screen Trust (Kidsonscreen), which has long advocated for a kid’s TV channel.

“I think it has to be remembered the children’s local content has basically disappeared from free to air platforms in New Zealand, so there’s no alternative basically,” she said.

“Those international platforms and global shows have a lot of money behind them. They are easy to find and you stick with them because there’s a lot of choice once you’re there. I think for HeiHei to thrive it needs more funding and to be more discoverable and there needs to be more choice of content once kids find it,“ she said.

‘Small seed in garden’
“It’s a very small seed in a very populated garden.”

“At Māori TV programmes are still at the forefront for television. HeiHei uptake isn’t too bad but the reality is it’s got to be aggressively marketed in the digital world,“ said Nicole Hoey, who’s also a former board member at NZ On Air.

“What’s important is the parents and kids in the survey are still saying that they value local content and I think that really we have to work out better how we deliver it to them,“ said Janette Howe.

So will today’s tamariki and rangatai have any interest in local media at all?

Howe said that around the world where there are dedicated children’s channels that are established they are holding their own against the rise of streaming services apps and websites.

“If you have kids in your whānau, you know they don’t watch television. Early in the morning you can see kids that have iPhones and from 12 or 14 months and they know how to touch the screen. They don’t even know how to use a remote control for television,” said Nicole Hoey.

“It’s about getting out in front of kids where ever they are,“ she said.

This article is republished by the Pacific Media Centre under a partnership agreement with RNZ.